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27

Clandestine

the futuristic landscape.

Clandestine looks at this map, thirty years later. She is sixteen

now, her eyes wiser, her hair longer. She is told that she is one of

the only designer children left in the world; most of them were

killed at the beginning of the war. What she does not see is why

they were killed. Children like her were the key to the rebuilding

of human life after the crisis, and she thinks it’s funny how no one

appreciates the existence of something until they need it.

She spends days studying this map, trying to figure out what

the red cross slashed across it is. Her time is limited, though,

because in a few days, the government is coming to scan the

orphanage for designer children. They can’t keep her there any

more.

She takes a small boy of eleven with her. His name is Arrowplix.

They navigate through forgotten forests, ruined buildings, and

somehow end up in a motel owned by an old lady. The lady is

skeptical at first, but allows them to stay in one of her rooms until

the authorities roaming outside leave the area.

They watch the news from small television in the motel room,

losing count of the passing days, until the old lady tells them sadly

that they are due to leave. Their safety is compromised out there

in the war torn city, but if they stay, they aren’t guaranteed

protection either.

As they leave the motel, Clandestine notices a man nearby

chopping wood.

Who chops wood nowadays

? she murmurs to herself.

And already, without doing anything, he is already on her list of

suspicious people. She is about to tell Arrowplix not to approach

him, not to say a word, but it is too late.

The man’s reflexes are quicker than her expectations and he

spins around. His eyes flash in recognition and he edges closer

towards them.

She closes her eyes. There are more people moving in on them.

She can feel it. The hairs on the back of her neck are standing up.

There are goosebumps starting to form on her arms. Her legs are

shaking, almost like they are prompting her to run.

Her fight or flight instinct is kicking in, and she’s fighting to

keep still.

Think

, she urges herself,

think

.

But she can’t think because in approximately five seconds, a

squad of armed soldiers are going to close in on them. She needs

7